What were some of the themes in the art of the Blaue Reiter group?
What were some of the themes in the art of the Blaue Reiter group?
Many Expressionists used vivid colors and abstracted forms to create spiritually or psychologically intense works, while others focused on depictions of war, alienation, and the modern city. Die Brücke (The Bridge) was a group of German Expressionist artists that banded together in Dresden in 1905.
What are the characteristics of the Der Blaue Reiter?
Der Blaue Reiter was formed in 1911 in Munich as a loose association of painters led by Vasily Kandinsky and Franz Marc. They shared an interest in abstracted forms and prismatic colors, which, they felt, had spiritual values that could counteract the corruption and materialism of their age.
What was Der Blaue Reiter aims?
One of the editors of the book, the Russian artist Vasily Kandinsky, wrote of Der Blaue Reiter’s intent, “We aim to show by means of the variety of forms represented how the inner wishes of the artist are embodied.” [1] This emphasis on the “inner” or subjective mental states of the artist, as opposed to the “outer” or …
Who founded a group called Der Blaue Reiter?
The group was founded by a number of Russian emigrants, including Wassily Kandinsky, Alexej von Jawlensky, Marianne von Werefkin, and native German artists, such as Franz Marc, Paul Klee, August Macke and Gabriele Münter.
Who was the publisher of Der Blaue Reiter?
The 1912 art book Der Blaue Reiter (The Blue Rider) was originally intended to be a yearly “almanac” published by a Munich-based artists’ collective of the same name.
What kind of art did Marc Blaue Reiter paint?
Though Der Blaue Reiter developed its own lineage of Symbolist and Post-Impressionist painters, it belonged to an international avant-garde from which it adopted a range of modern styles. Marc achieved perhaps the most dynamic hard-edged style due to his adoption of Cubist faceting and the force lines of Futurism.
What are the themes of Der Blaue Reiter?
The crude, almost childlike simplicity of the cover art for the Almanac, along with its Christian medieval imagery of the blue rider as Saint George, is a visual emblem of two of the groups’ main themes that will be explored here: primitivism and spirituality.
When did Kandinsky paint Der Blaue Reiter?
However, when Kandinsky painted that early canvas, perhaps indebted more to Gustav Klimt or Les Nabis, he had not yet developed the theory of color symbolism he would publish in Concerning the Spiritual in Art. His woodcut cover for Der Blaue Reiter’s almanac (published in 1912) is thus more in keeping with the movement’s aesthetic and ideals.
What were some of the themes in the art of the Blaue Reiter group? Many Expressionists used vivid colors and abstracted forms to create spiritually or psychologically intense works, while others focused on depictions of war, alienation, and the modern city. Die Brücke (The Bridge) was a group of German Expressionist artists that banded together…